Saturday, January 31, 2009

LI JIAO II


Shanghai Orchestra plays its music without noises
loops us the cars over the grass
transportation effectivity is amplified to the life size
city has its fractal beauty visual or invisible

it depends where is your viewing angle,
and the technology of imaging.


Tuesday, January 27, 2009

TOUR TUEUSE

Conspiracy? Coincidences? Better double check!

Friday, January 23, 2009

STOCKMARKET LAND





In ruin, building site, construction, on standby, in pause, In « pour parler », project, demolition… Each city regulates. Humans live their own cycle and buildings frame too. During all punctuations, the life does not exist anymore.
In Shanghai, at the time of very grown, this phenomenon seems even more present. Like so suddenly, during the overactivity of this mégapole, the approximate 1% of “waste land” is multiplied. And in this personnal percentage, I count only the places which at the present are completely inert at 100% for one remarkable period. In a city of more than 16millions inhabitants that happens very quickly on a colossal surface (without counting the inactive places 50% of their time)
Indeed as for the stockmarket, many built spaces are under the speculative emulation and then not used… In parallel I note that Shanghai have a great number of mobile actors, passengers in perpetual revival, temporary workers, visitors, expelled…
In a 24 hour city, I imagine the Utopia that the inert consumption of space can find fugitive use, “ the time of”. An environmental program, within the meaning of entourage, offering to these places a transitory life useful for the residents as one can see it in the destroying process of the shanghainese Lilong.
During more than one month, apartments and shops empty one after other and start to be dismantled. During this time the last occupants simply adapt emptied space, a shop becomes a night carpark, a place for a nap, a clothes line, an office or a storage for the new workers…
In China this mobile force exists thanks to the mass of inhabitants. And when a city live more quickly than its own men, and when it is so large, suddenly if we discover non moving area it becomes to us source of mystery.
What could be more public than a building site in destruction stopped or deserted to be destroyed? What could be more educational than a building in construction or ruin? What could be more suitable for events than a devasted land? What could be more useless than a tower emptied by the owner?....

Imagine whereas any blocked space becoming a new property..
Could a place, before the last blow of tractopelle, transform as an external happy ending party not obstructing form the noise anybody more…
Could someone propose to the expelled, a refuge like in deserted offices or waste ground near the places they have social and work life…
Could an empty roof be a public observatory sources of break as parks.
Immagine a public building site allowing to discover the construction differently.
Immagine to visit a ruin through scaffoldings…

Thursday, January 22, 2009

About Xujie and Sophia

I guess nobody knows us before this exhibition though we met Lam once in an interview with Niyouyu when they were roomates 2 or 3 years ago. But actually we are living in a so related circle.

Xuejie and I are very old friends. We met when we were in middle school in our 12. And after studying the high school separately, it occured to us that we were coincidentally be schoolmate again. During 2001-2008 we were both in Shanghai University major in different major.Mine is graphic design and his is always art history.

Our cooperation begain in 2006 mid summer during which we managed to figure out our first documentary Ecounter Art. Since then we are living like twin brothre and sister. However the last thing we want to do in the world with eachother is just being a lover. I just like Xujie like a famely. Anyway, he is the person through whom I met Petra. Eventhough before I met her I had known much about her and her lessons by chatting with Xujie. And then I am happily to meet everybody here.

We are now working on many different documenta one of them is to record Chinese Acrobats life in Shanghai. Other one is shooting our schoolmates project, Caoyang project. That's why we know Tiger and Zhouzhiyuan and Ivan etc. In Shanghai Anti Xujie is in charge of cutting and I am the translator.In Runner both Ivan and I are the camera.It's fun to hang out with these guys to join the creation of artworks.

By the way, Xujie is too lazy to write this. Haha, so I do it.

Good luck everybody & Happy new year!

LI JIAO


I met Petra before we met, it has designed, from my high school. In 2003, the beginning of my university, i just can not select the English major's English course, because there're time crashes with my own major's, and one of the teacher heard of my frustration and suggested me to Petra's course, just because she is one of the two foreign teachers in my college and the only one who has the open course. And in the later terms i got to known Lam and Jam in this class room, and later on Adrian and Tiger, who were both my living room roommates in our first year. In 2004, i met an Australian friend, Rowena in a gallery in 50 Moganshan Lu, where i went firstly with Petra. Then i got a summer job by knowing George through Rowena, in the gallery of studio rouge, and Lam and Jam were my colleagues, but we shift work the other day. Also that was in studio rouge, i met Alex, we started be friends because he was an international student in my college in 2002. After we became good friends, he introduced  his best French friend also his high school class mate, Johann, who later introduced naco, the company he worked for me, because that is also an architecture company. So i got the internship in the summer of 2006 by an interview, and Fanny sat next to me, Marie sat down stairs. I know Jeremy because he also was an architectural student and then roommate of Johann. February 10 2007 i was invited to an art exhibition called "Contemporary Art doesn't feel cold at home" hosted by Johann and Jeremy, where i also met Kahn. Xujie and Sophia both we met in amspace for the exhibition, but we also studied in the same college, in different years...


Petra/Germany|Adrian-Zhou Zhiyuan/Shanghai|Tiger-Cai Chengliang/Shanghai|Lam-Deng Yeming/Shanghai|Jam-Yu Ji/Shanghai|Alex-Alexandra/France|Johann/France|Fanny/France|Marie/France|Jeremy/France|Kahn-Yuan Chonyin/Shanghai|Xujie/Shanghai|Sophia-Wu Jiayin/Shanghai|Shaw-Xu Zhifeng/Jiaxing

Monday, January 19, 2009

'Link to Link' Park Junghyun Performance Room



Joseph Beuys said "Every man can be an artist" If you are an artist, you probably denounce these words; but if you want to be an artist, it might give you power and confidence. So, are these words correct? What actually is the relationship between art and artists?

And yet, artists are not the only creators of art. The rest comes from people who treasure life. Those that care deeply, those who know what love is, those that generously express their feelings. These are often the sources of art.

With "Every man can be an artist" in mind, if we go searching for such a person, we are assured be pleasantly surprised. This type of pleasant surprise doesn't come from people only, but also from art!

She believes: If people used their hearts to communicate, anyone from anywhere in the world can become friends. Among the countless ways of expression, I am only trying to say to use your heart to communicate for relationships.




No activities these days, because of the rebuilding on Xiang Shan Rd. Lam & I sitting in am space, have no idea of the worse and worse environment. We plan to put our own art work in am space. I put my little hair balls on the wall, and Lam stick some paintings on a piece of wall. too. Staring at our own works in the space, we have some flash idea of how to set out our works and made them look better.

Stocking Tree



This year, so much " accident" drive me mad, and have so much extra happiness as well. What I should say? That's life, just like this afternoon, sitting at my favourate side, looking though the window, what I can see is not the full green as usual, but a " stocking tree", that's what we called, a huge tree but hanging so mang stockings threw from the second floor. Sometimes, there are so many unbelieveable affair, beyond your comprehention.




you know, am space located in an old French style villa, but our government always attend to drive the people who live here away! Because they want to sell the building to some rich people and use the building in business, like a commercial center. So it's a long fright between government and people living here. We two plan to make an art work about the building and the people living here, yesterday I had a great idea about the work's name------" Xiang Shan Cat". It's quite special that you can see so many cats live and act in Xiang Shan Rd, so friendly with people here. ( Most of the people living on this road are quite old and stay here for a long time) And I plan to express a feeling -----sad, but not much concerned, say bye-bye to here in a grance way, from a cats' soul and way.
So next week, Lam and I plan to take pictures to the whole building, every room of it, and interview the people living here, collect materials for our work. I guess we will make this work for at least 7 months, after finishing it, we plan to find some opportunity to show it abroad, some good art events, like Biennial Events.

Sweet Food

Visitor 00809203 Visitor 00809202
Visitor 00809200 Visitor 00809201



One day, a Japanese came, so gentlemanlike, took so many maps about Shanghai galleries. We didn't talk a lot about am space. Obviously, he had more interest in some bigger and more famous galleries about Chinese Contemporary Art. So, I gave him a lot advice, and said bye-bye to this gentleman.

That was a rainy day, I remember, just liked today, a group of about 4 or 5 foreigners came into am space. They whispered in a language I didn't understand. And suddenly, the eldest man pointed to the paintings on the wall and shouted to me, just like performing a drama, he speaking and waving his hands like mad. I guess he was so angry about the Chinese government not protecting the French building very well, and mistook that was us made the building in a mess. Anyway, it was hard to explain anything to this rude man, I opened the door and hoped never see him again.

Children are always welcome, and good critics about Art. A Germany family came one day, five children from 4 years old till 12 years old. They critic the art works seriously, and then kept putting my gum in their mouth. It seemed that they were really interested in my chewing gum project. And I were much obliged to their help chewing my gum.

When people entered, some just looked around, some would asked you several question, some left as soon as entered. Sometimes it was not easy to let others listen to your story, and what we want to do is not just telling story. It's reality.

am art space





This, is am space, located in the first floor of an old building more than 90years lod. This villa is a French style, I guess here lived a rich family long long ago. But right now, the space inside is seperated into parts. 5 or 6 ordinary Chinese family living here. We have a lovely garden with grass and trees. Although nobody take care of the grass and cut them regularly make it looks so rough, everyone living here still love it.
am, not big, has three space. The biggest space is the one you will as soon as you come in, this is our main room for activity. It's about 20 square meters, with high ceiling, two old windows with figured glass and old wooden floor. Our design area is just beside the main room. It's the smallest of three, full of books and files. Most of the time, Lam and our only staff sit here and working on computer. Behind the working area, the last stays a little dim and mysterious...
It's so multifunctional, sometimes it's living room for travelling artists, sometimes it's a storeroom, sometimes videos show here.
The character of the building make our space quite different from other Shanghai gallery---- huge, bright, so much white wall... ...Here is so suitable for some fresh, freedom, small group talking... ... I can show my own art work here, without talking and explaining my ideas to different directors of gallerys with CD, and they always look so absent-minded; I can spare here with some friends of mine, that face to the same difficulty like me as a young artist; I can make my style exhibition, just my style; I will meet more interesting people and try to talk with them here, you know, it's not easy to find the right people who you would like to speak to and hear from; Lam could keep the balance of doing what he hate(design for some stupid boss of a company that has an awful taste and doesn't know anthing about art, just for money)and what he like(enjoy his favourite music, draw what he likes to draw, don't say Bye-bye to the art world) All and all flash into my brain in one minute, and when I am writing to you right now, I fell come back to 6 month ago...

The Beginning

Lam & Jam

I, YuJi, a Chinese girl grow up with Anderson's fairy story, always believe in miracle and the power of great effort. Dad, professor and artist; Mum, dress designer, make it certainly for me to be an artist. Well~~ of course, that's not the point. I love art! It is the easiest and hardest language to be understood in the human's world. I ploughed into art work when I was 18, so devoted to imagine that how different and deep meaningful my art works are, until I met my lover, Lam, at a day of deep autumn 5 years ago. Lam, a boy who declared " Art comes from niceness!" at our first met, is also my partner of organizing am art space and making art work right now. And the famous words he spoke to me change my attitude of art. All the thing mix together create the life of am art space, the long but still young story I wanna to tell you.

It's a story about dream, love, freedom, persistence, arduousness and fight.


Guanxi - 关系

Harbin Festival


In China, people say that Guanxi, "relation", is very important.


One morning, somebody came to my
room asking me to go to see the director of the foreign student department. A friend of mine and myself got a grant from our government to come to China to discover and experiment Chinese culture and art. The director wanted to talk to me because of that. He explained me that a professor from the sculpture department wanted to participate in the Harbin Snow Sculpture Competition 2003 and for what needed to build an international team. Flight and accommodation were paid by Harbin Festival, we only needed to conceptualize and realize a three cubic meters snow sculpture. I accepted right away and went to talk to my friend Guillaume about it. He enjoyed the idea. We started to work immediately on the concept. The idea was a mix between a cute rabbit and and Homer Simpsons. An allegory of contemporary China and an homage to McCarthy.Next week we were suppose to meet the professor and other team members.
We went to the meeting with our sketches.


The Professors, they were two, also had their own sketches.
The first one, from Prof. A, was a reproduction from Botticelli's Venus.
The strange things is that the model was a rectangular prism instead of a cube as it was suppose to be. Everybody enforced that point.



But Prof. A was sure that it would be fine. I tried to image what would be the result.


Prof. B, with his giant hands and a meta-something calm, revealed its project. It was something really astonishing. He took a traditional auspicious image representing a baby in a lotus flowers and cut in the middle with a wall. The wall was a symbol for modernity.

Prof. A project was not so far from ours,
but it seemed a good idea not to show our concept.



We were introduce to other teams members: Helena and Nathalia, two Russians student who were learning Chinese and suppose to be our translators; Petra, who as that time was a professor at Shanghai University. Next day in the plane to Harbin joined another team member: Chi-chi, a writer from New-York who was an old friend of Prof. B.

Harbin is a delicious place.
In the Chinese part of Siberia.
It's cold.
People are really nice.
They like to organized funny events that implement cold elements.







A car from the Festival arrived to bring us to the hotel. There we would assist at the Official Ceremony for the Launch of the Snow Competition of Harbin Ice and Snow Festival, which was preceded by the Introduction of the Official Jury of the Snow Competition of Harbin Ice and Snow Festival and follow by the Official Dinner of the Official Ceremony for the Launch of the Snow Competition of Harbin Ice and Snow Festival, where the other Official Participants of the Snow Competition of Harbin Ice and Snow Festival were also attended. After that we officially went to bed.

Next day, 7am sharp, the competition started. Many people from many countries speaking many different languages were carving, chiseling, casting and jumping all around there three meters high snow cube.
Our team have to be split in two as we had to realize two sculptures. Which also mean that Helena and Nathalia had to participate, and they did not like so much the idea. This plus the fact that they had to pay for an insurance-which was not suppose to be- and that he was not participating in the realization of the sculpture made them pretty pissed against Prof. B. Prof. B's job consisted of buying cigarettes and disappearing all days long to smoke them with certain people.
Prof. A was more active, sculpting all day long, calm and concentrated. He was not speaking much. We developed a sort of telepathy to communicate.
By coincidence, my hotel room was adjacent to the one of a Russian team from Vladivostok which came with a big box full of bottles of vodka. Every night a lot of people were gathering in their room, the vodka helped people communicate. From that moment on and until the end of the competition half of the contestant were totally drunk.
This was the snow competition 2003: a lot of drunken people from everywhere doing giant snowman in the middle of Siberian steppes.

With Petra, we exchanged a lot our point of view about art, China and the World. It was really nice to have somebody with whom to exchange about art as a Praxis and not only as craft.
After one week of trying to fit our prism into a cube, the competition ended. Our sculpture was close to a disaster but we made a lot of friends whom had realized very nice works. We were feeling really bad when we heard we won the second price. This was mostly because Prof. B smoked a lot of cigarette with certain people. Guanxi is sometime very important.

meeting in shanghai
















our meeting.